In the intimate confines of a cluttered room, a blurry figure, Ishi Flatland, dances around the elegant furniture and decor, running after the camera lens. Acting as a guide for attention, the camera lens becomes a predator, exploiting the figure's desperate desire to be acknowledged while callously choosing to overlook. Ishi Flatland (Yabin in drag) is the last survivor of their race. From the 2D world to the 3D world, they have to imitate how people in the new world live, how to walk, talk, behave, and to adapt to the established rules of the new world. Playing with Yabin’s drag character (which originally grew out of a decolonising drag workshop held by Queer China UK), this visual narrative illuminates the pervasive neglect and biassed distribution of attention that have come to define our consumerist capitalist society, entwined with the existence and condition of queer bodies in mainstream depiction.