All artists are absorbed in their own inner worlds—infused with a voyeuristic, psychological complexity echoing the overwhelming isolation of contemporary life. Even with the availability of instant human contact via the world-wide-web the computer-based studio establishes a general sense of alienation. This is not necessarily loneliness, but a kind-of ambiguity of subconscious psychic tension. My work addresses the solitude of this dream-like suspended time while acknowledging the life-like energy of computer technology. It provides instant access to the basic elements of art (line, color, shape, etc.) in an aura of denatured nostalgia or fondness for the creation of abstract expressionistic images. I address this drive by staging found ephemera (trash) on my studio work table, light and photograph it; then load the images into my computer and adjust them using a variety of programs (no A.I.). This process gives me the ability to immortalize the momentary coalescence of these objects into what many artists have come to call Techpressionism. For me, each image is more than a document of repurposed trash for each provides opportunities to discover elements of enchantment that connect with the viewer in deeply profound ways. This effect arises from our collective consciousness and can feel deeply personal, maybe a little disquieting plus suggestive of other times, other places, other worlds or simply a dream roused, but not woken. They even radiate a life force of their own that suggest something beyond them, that leaves a lasting imprint on the viewers cerebral cortex. Enjoy.